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Professor Roy and the Amazingly Bad Poetry Journal The Old by Elizabeth; Cambridge, MA Black backs set on scurrying legs Beheaded, you kick at the sky Coinhabitants of our home Constantly multiplying White fungus fingers pry at cracks Peeling the water-softened walls The bathroom door? it has retired. Estranged, off-hinge (or napping) Sometimes fat, fresh drops of rain Slipping through the ceiling Their journey ending in the hall And then--a mass stagnation The stove, the fridge, the sink, the wash Still and moldy, forsaken Mocking the purposes which are Their master elsewhere Tarnished trophies on brokedown shelves New abodes, careers have blossomed Knifes and blood and parted skin The old? not yet forgotten. Once in a great while, I have a nightmare about filth. You don't want to know the details. Believe me. This poem gave me the willies, I don't mind telling you. You read this poem to a child if you want to give the child nightmares. Babysitters, take note. It's like an evil version of "Pee Wee's Playhouse," what with the stove and the refrigerator and the sink and Chairry having all lost their minds. The idea of your household appliances dying from loneliness... eeeee! I have a problem throwing away old socks. You expect to see Tyler Durden wandering around this abandonned house, playing with nunchucks (literally: chuck of nuns). "The Old" starts off creepily and ends creepily. Are you trying to terrorize your audience, Elizabeth? In the first two lines, some sort of insect is guillotined for our viewing pleasure. It really sets the tone for the rest of the poem, I'll give it that much. Are you the one who decapitated the bug, Lizzie (Borden?)? Oh, I suppose the sink did it. Yeah, I've heard THAT one before. Heed my words: in your next life, you're going to come back as a beetle. A beetle on the set of "Indiana Jones & the Temple of Doom." It's wrong for us to accuse Elizabeth of killing the bug so she could immediately alienate the audience. The bug may have just committed suicide, after all. He had been depressed for a long time. Despite their dead ambassador, this invading species are "constantly multiplying." Maybe the house is infested by bunnies? Cute wittle bunnies. I find it difficult to believe that this building still functions at all. But Elizabeth calls it "our home." It's flooding and everything is covered in delicious mold, but they still have their 56k (4 k/s max.) connection to AOL. I think E's message is that nothing lasts, everything is mortal, yadda yadda yadda, I've heard it all before. "New abodes, careers have blossomed" - oh, okay, that's nice. I have no problem here. The former residents have moved and started successful careers. That's pleasant enough. I'll just read the next line and-- AAAAAAAAAHHHH! "Knifes and blood and parted skin" ?? What's this all about? One last 'fuck you!" to our psyches? We can see the light at the end of the poem. We're just about to escape from E's composition, and then suddenly we're in the house from "The Texas Chainsaw Massacre." It's either that or the "blossoming careers" refer to butchers, taxidermists and open-heart surgeons. Gah, wouldn't that be creepy if three brothers and sisters grew up to have those occupations. Bad Poetry Grade [F = your standard bad poem; A+ = worst poem imaginable]: C+ |
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